3.25.2011

Day 7: A Song That You Can Dance To






Ok, so.  There was a scene in Eat, Pray, Love when Julia Roberts is dancing shoeless in some awesomely lit little dive somewhere in Indonesia (the night she meets Javier Bardem) and this song came on and it was WONDROUS.  ( I realize I just lost all my film cred… if I had any) 

It was WONDROUS because it instantly brought me back to my early days in Seoul-  when I’d dance unabashed with fellow expats (usually, the lovely Ms. A, sometimes the lovely Ms. C, Ms. M, Ms. J., another lovely Ms. A and another lovely Ms. M) and we’d be forced to stay out late because the silly subway trains would stop come midnight.    Dancing unabashed is not something I do—but in those early early morning hours in places like Club FF or some similarly sketched out club- I’d see the underbelly of Seoul, see the mass of Koreans dancing- trying to dance, rather—and would realize they didn’t really know how to dance either.  Which made it actually enjoyable- it wasn’t (most of the time) about looking sexy or looking coordinated even- just about enjoying the space with your friends and sometimes (sometimes) enjoying the music.  I didn’t ever hear this song in Club FF, but, I suppose that’s besides the point.

But, back to Marvin Gaye: I love Marvin Gaye. 

When I was around 10 or so, I got my hands on a grimy cover-torn book someone had left in the street on Tragic Hollywood Deaths (or some similar title)—along with wanting to read every biography in my library, I also wanted to be able to list off how every famous person had died.  As I remember (this is singularly from my recollection of this book, so if I am wrong, just tell me.  I want to be Wikipedia-free in this entry), Marvin Gaye was shot by his father- I guess he’d come between his mom and dad in a spat and got in the way of one of his dad’s bullets.  Except—when I was little, I’d always confuse his death with Sam Cooke’s, also shot dead, but not by his dad and about 20 years earlier.  I remember wondering why all the pretty talented people died so tragically.  When I picked up that book on the street, I thought it’d be filled with murder/suicides of old ugly producers or sound engineers.  But then I read about Natalie Wood and Rudolph Valentino and didn’t know what was what.  

As a bonus, I’ve just discovered Bobby Bland (how did he slip through the cracks?!)  As he won’t be occupying a future day of music, he’ll serve as Marvin Gaye’s post script.  Just, WONDROUS: 

2 comments:

  1. Have you ever read "High Fidelity" by Nick Hornby? The main character, Rob, claims that "Let's Get it On" is the greatest album of all time. I don't remember if John Cusack makes the same claim in the movie or not.
    Ian

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  2. Nope-- but saw the movie! And sadly, don't remember either...

    Either way, one of the greatest albums, no?

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